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The Department offers a five-year program leading to the Bachelor of Architecture degree. The program provides opportunities for general education as well as preparation for professional practice and/or graduate study.
The Department of Architecture offers two graduate degrees in architecture: a three-year accredited professional degree (MArch) and a two-semester to three-semester research degree (MS in Arch). Double-degree programs are currently offered with the Department of Community and Regional Planning (MArch/MCRP) and the College of Business (MArch/MBA).
History
The Department of Architecture was established in 1914 as the Department of Structural Design in the College of Engineering. The name of the department was changed to the Department of Architectural Engineering in 1918. In 1945, the name was changed to the Department of Architecture and Architectural Engineering. In 1967, the name was changed to the Department of Architecture and formed part of the Design Center. In 1978, the department became part of the College of Design.
Dates of Existence
1914–present
Historical Names
- Department of Structural Design (1914–1918)
- Department of Architectural Engineering (1918–1945)
- Department of Architecture and Architectural Engineering (1945–1967)
Related Units
- College of Design (parent college)
- College of Engineering(previous college, 1914–1978)
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Abstract
Mandoline et guitare (Picasso, 1924) es un cuadro ambiguo, construido conscientemente como una cabeza encubierta, oculta. Esta lectura secundaria de la obra cuestiona el contenido obvio de la lectura primaria, la naturaleza muerta. La ambigüedad fomenta la conciencia de la percepción visual del espectador. Una lección en la naturaleza de la representación, la pintura emana un sentido de lo extraño. Está secretamente habitada, reuniendo un valor de culto y de exposición, insistiendo en que “otros mundos” están localizados dentro del mundo que conocemos. ¿Puede una ambigüedad y sugerencia de otros mundos de este tipo presentarse en el caso de la arquitectura? Le Corbusier reverenciaba a Picasso, entendió su ambigüedad, y la trasladó a la arquitectura del Movimiento Moderno a partir de que con Hiroshima se vertiera la sospecha sobre la alianza de la arquitectura con la alta tecnología. Este artículo examina la obra de Picasso y el intento de Le Corbusier de impregnar la arquitectura con su esencia.
Comments
This article is from RA. Revista de Arquitectura. 2009, 11: 15-24. Posted with permission.