Schema Theory in the Interior Design Studio

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2005-03-01
Authors
Brunner, Lori
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Stone, Lori
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Art and Design (1919–2012)

The Department of Art and Design offered the degree Bachelor of Fine Arts in three curricular areas: Graphic Design, Integrated Studio Arts, and Interior Design. The department also offered the degree Bachelor of Arts in Art and Design. The department also participated in the undergraduate minor in design studies.

The department offered the degrees of Master of Fine Arts in Graphic Design, Integrated Visual Arts and Interior Design, and Master of Arts in Art and Design, with degree specialization in interior design, graphic design and environmental graphic design. Graduates have a broad understanding of visual communication, problem solving, and interdisciplinary studies.

History
The Department of Applied Art was first recognized as a department in the Division of Home Economics in 1919. The department was incorporated into the College of Design in 1978. The name was changed to the Department of Art and Design in November 1978. In 2012, the Department of Art and Design was divided into four departments Graphic Design, Industrial Design, Interior Design and Integrated Studio Arts.

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1919–2012

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  • Department of Applied Art
  • Department of Domestic Art

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Art and Design (1919–2012)
Abstract

Gallini (1989) argues that, “the ability to combine a collection of problems into a meaningful representation, or schema facilitates learning” (p. 244). More specifically, Chan (1990) reports, “that the ability of organizing and applying schemata determines a designer’s ability” (p. 78). The purpose of this study was to measure the impact and effectiveness of a conceptual advanced organizer, a database/analysis card model, in the interior design studio. The effectiveness characteristics were examined from four main areas of a design project: 1) organization of information, 2) categorization of information, 3) application of theory, and 4) overall design. The following research questions were addressed: 1. Do students, who use conceptual advanced organizers, develop design projects that are more organized than students who do not use such organizers? 2. Do students, who use conceptual advanced organizers, develop design projects that categorize information more effectively than students who do not use such organizers? 3. Do students, who use conceptual advanced organizers, develop design projects that are more theoretically-based than students who do not use such organizers? 4. Does the skill of organizing and applying schemata determine a designer’s ability? This study utilized and analyzed the strength and capabilities of the database structure, coupled with the spontaneity and idea generation of William Pena’s analysis card technique (1977) in providing an expert-like structure for novice designers in their problem solving in the design studio.

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Sat Jan 01 00:00:00 UTC 2005