Making Marfa: Technical Encumbrances and Creative Resistance in Donald Judd’s Ten(?) Concrete Buildings

Thumbnail Image
Date
2009-10-01
Authors
Whitehead, Rob
Major Professor
Advisor
Committee Member
Journal Title
Journal ISSN
Volume Title
Publisher
Authors
Person
Whitehead, Rob
Associate Dean
Research Projects
Organizational Units
Organizational Unit
Architecture

The Department offers a five-year program leading to the Bachelor of Architecture degree. The program provides opportunities for general education as well as preparation for professional practice and/or graduate study.

The Department of Architecture offers two graduate degrees in architecture: a three-year accredited professional degree (MArch) and a two-semester to three-semester research degree (MS in Arch). Double-degree programs are currently offered with the Department of Community and Regional Planning (MArch/MCRP) and the College of Business (MArch/MBA).

History
The Department of Architecture was established in 1914 as the Department of Structural Design in the College of Engineering. The name of the department was changed to the Department of Architectural Engineering in 1918. In 1945, the name was changed to the Department of Architecture and Architectural Engineering. In 1967, the name was changed to the Department of Architecture and formed part of the Design Center. In 1978, the department became part of the College of Design.

Dates of Existence
1914–present

Historical Names

  • Department of Structural Design (1914–1918)
  • Department of Architectural Engineering (1918–1945)
  • Department of Architecture and Architectural Engineering (1945–1967)

Related Units

Journal Issue
Is Version Of
Versions
Series
Department
Architecture
Abstract

On an elevated plinth of west Texas prairie grass land, in a visually isolated corner of the Chinati Foundation grounds, sit two unfinished examples of Donald Judd’s final experiment in uniting art, architecture and nature. These imaginative and enigmatic concrete building shells have the same spare material expression, rigid proportioning system and the unnerving structural thinness that one would expect from Judd’s three-dimensional work. These buildings are part of a larger geometrically ordered complex of ten buildings designed specifically to house twelve works of art, unsurprisingly, also created by Donald Judd.

Comments
Description
Keywords
Citation
DOI
Source
Copyright
Thu Jan 01 00:00:00 UTC 2009