Le Corbusier and ‘Psychically Innovating Space’
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The Department offers a five-year program leading to the Bachelor of Architecture degree. The program provides opportunities for general education as well as preparation for professional practice and/or graduate study.
The Department of Architecture offers two graduate degrees in architecture: a three-year accredited professional degree (MArch) and a two-semester to three-semester research degree (MS in Arch). Double-degree programs are currently offered with the Department of Community and Regional Planning (MArch/MCRP) and the College of Business (MArch/MBA).
History
The Department of Architecture was established in 1914 as the Department of Structural Design in the College of Engineering. The name of the department was changed to the Department of Architectural Engineering in 1918. In 1945, the name was changed to the Department of Architecture and Architectural Engineering. In 1967, the name was changed to the Department of Architecture and formed part of the Design Center. In 1978, the department became part of the College of Design.
Dates of Existence
1914–present
Historical Names
- Department of Structural Design (1914–1918)
- Department of Architectural Engineering (1918–1945)
- Department of Architecture and Architectural Engineering (1945–1967)
Related Units
- College of Design (parent college)
- College of Engineering(previous college, 1914–1978)
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Abstract
In France, in the first quarter of the Twentieth Century, ‘space’ and ‘psyche’ were uncommon concepts. Both originated in German thought, foreign to a French way of thinking. Still, in the early 1920’s, L’Esprit nouveau, a French review of contemporary visual phenomena co-edited by Charles Eduoard Jeanneret, featured articles on Freud, film, Picasso, Einstein and relativity. Yet implications of these novel perspectives to the formation of space were seldom considered in depth; nor did Jeanneret discuss the concepts in his books on urbanism, architecture, decorative art, and painting that followed. In the late 1930’s, and then immediately following World War II, all of this changed. Space and psyche became common currency in both French architectural and in its popular press, and the conjunction of psyche and space could be said to form the basis of Le Corbusier’s 1946 “Ineffable Space,” a theory of architecture that posits ‘space’ as venustus, delight, in Modern Architecture.
Comments
This proceeding is from Le Corbusier: Architecture, Urbanism and Theory (Atlanta: Anthony Rizzuto, 2009): 45–53. Posted with permission.