“I enter a building, see a room, and…” Peter Zumthor writes, “in a fraction of a second I have this feeling about it” (Zumthor 2006: 13). As an immediately grasped judgment of environmental character, atmosphere has been described as a collaboration of an infinite number of multisensory factors: a non-material experience, contrasting centuries of tradition understanding architecture as material artefact experienced through the limitation of vision (Pallasmaa 2014: 20).