Architecture Publications

Campus Units

Architecture

Document Type

Article

Publication Version

Published Version

Publication Date

2017

Journal or Book Title

The Avery Review

Volume

25

First Page

1

Last Page

10

Abstract

This is a call for the development of a more robust theoretical position about the gender implications of advanced parametric design and the use of machines to design and fabricate architecture. As digital fabrication has made material the network conditions of cyberfeminism, it is time to revisit the relationships between feminism, architecture, and technology. We propose a framework that relies upon intellectual traditions of feminism and deliberately focuses on developing technologies as a locus of power and influence in architecture. Architecture has been slow to fully acknowledge, incorporate, and integrate women into its practices.3 Within the building profession, digital technology has emerged—and in many ways, is still emerging—as a site of architectural influence: those who control the process of design through technology control architecture. CNC fabrication and robotic construction are cultivating new cultures of digital craft, and in searching for future opportunities, we would do well to recall the long history that links craft and feminine labor. By looking again at the often-neglected contributions of Ada Lovelace and the Jacquard loom to computation and digital fabrication in the nineteenth century or a more recent project such as the Elytra Filament Pavilion, we might see how this digital moment has been framed by feminist craft rather than the more familiar origin stories that surround computation.

Comments

This article is published as Doyle, Shelby, and Leslie Forehand. “Fabricating Architecture: Digital Craft as Feminist Practice,” Avery Review 25 (2017). Posted with permission.

Copyright Owner

The Authors

Language

en

File Format

application/pdf

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