Campus Units
World Languages and Cultures
Document Type
Book Chapter
Publication Version
Accepted Manuscript
Publication Date
5-20-2019
Journal or Book Title
Philosophizing Brecht
Volume
55
First Page
7
Last Page
23
DOI
10.1163/9789004404502_003
Abstract
Taxonomic tropes and themes, particularly gender and class, but also race, function together in Brecht’s plays to create overdetermined characterizations. Parallel to these characterizations, he developed a multilayered theory of performance that emphasizes how those who enact text should approach the representation of diverse human types and groups. His encounter with Chinese acting established foundational elements in this theory. In parallel to his theoretical thinking about performance and race in the mid-1930s, Brecht was developing his stance toward operatic representation. While these two conceptual spheres, race and opera, might appear far apart in their content, they parallel each other closely in their theoretical stakes. The work of Joy Calico reveals that the way the voice becomes fungible through operatic performance both repelled and fascinated Brecht, such that this voice-object of opera accompanied his work as a kind of dialectical foil throughout his career. When read through the lens of race, this insight can be extended to reveal how the acting body itself becomes a fungible object, one that Brecht’s theories of estrangement and gestus strive, however inadequately, to make aesthetically and politically productive.
Copyright Owner
Koninklijke Brill NV, Leiden, The Netherlands
Copyright Date
2019
Language
en
File Format
application/pdf
Recommended Citation
Amidon, Kevin S., "The Performance of Racialized Bodies and Brecht’s Operatic Anthropology" (2019). World Languages and Cultures Publications. 196.
https://lib.dr.iastate.edu/language_pubs/196
Included in
Chinese Studies Commons, Feminist, Gender, and Sexuality Studies Commons, Music Theory Commons, Other Arts and Humanities Commons, Other Languages, Societies, and Cultures Commons, Race, Ethnicity and Post-Colonial Studies Commons, Sociology of Culture Commons, Theatre and Performance Studies Commons
Comments
This accepted book chapter is published as Amidon, K., The Performance of Racialized Bodies and Brecht’s Operatic Anthropology, in Roessler, N., Squiers, A. Philosophizing Brecht Critical Readings on Art, Consciousness, Social Theory and Performance. 2019, 55;7-23. Leiden: E.J. Brill. Posted with permission.