Opera and Spanish Jesuit Evangelization in the New World

Thumbnail Image
Date
2007-11-01
Authors
Gasta, Chad
Major Professor
Advisor
Committee Member
Journal Title
Journal ISSN
Volume Title
Publisher
Authors
Person
Gasta, Chad
Department Chair
Research Projects
Organizational Units
Organizational Unit
World Languages and Cultures
The Department of World Languages and Cultures seeks to provide an understanding of other cultures through their languages, providing both linguistic proficiency and cultural literacy. Majors in French, German, and Spanish are offered, and other coursework is offered in Arabic, Chinese, Classical Greek, Latin, Portuguese, and Russian
Journal Issue
Is Version Of
Versions
Series
Department
World Languages and Cultures
Abstract

As missionaries across the New World quickly discovered, Indians exhibited a strong attraction to music and song, but it was the Jesuits who were particularly adept at exploiting those musical interests to reinforce their argument that the Indians could adopt Christian faith, understand its principles, and live by its commands. One of the first operas in the New World is San Ignacio de Loyola (1720?), written by Domenico Zipoli, a famed Roman organ master, composer and Jesuit missionary. This essay brings to light the little known fact that Jesuit opera exists and also discusses how Zipoli's work was a unique collaboration between European missionaries and the Indians in the composition and performance of the music, as well as in the writing and singing of the Spanish libretto, which also included a parallel text in the native Chiquitos language.

Comments

This article is from Gestos 22, no. 44 (2007): 85–106. Posted with permission.

Description
Keywords
Citation
DOI
Source
Copyright
Mon Jan 01 00:00:00 UTC 2007
Collections